Additionally she identified a
fourth system in Bavaria called Münchner Lage, but she
could not determine the originator of
the basis for the later Schrammelbandonion since there existed
for at least 3 different manufacturers during the
60ties in Munich.
The list starts with the first 28 key design
having 14 keys (1-14) distributed on 3 rows
on each side of the instrument. The indicated
key numbers were later extended with symbols (second and third column)
and were used to identify
the keys for the symbol notation. Later modifications led to an inconsistent
labeling, particularly when notes where shifted or modified, or when
manufacturers introduced other ideas.
| time | keys added to bass | keys added to treble | voices total |
| 1835 | 1 - 14 | 1 - 14 | 56 (3 rows) |
| 0 (f/c) | 0 (f/c) | 60 | |
| 1/0, 15 | 64 | ||
| until 1860 | 1/0 | 2/0, 3/0, 4/0, 5/0, 6/0 | 76 |
Uhlig's instrument is also known as the German Concertina
or Chemnitzer.
A mayor extension of this layout was achieved after 1890 by
Max Neubert, Richard Lindner and Max Scheffler. The
Scheffler'sche Lage adds and rearranges many keys for 102 or 104
voice instruments.
| time | keys added to bass | keys added to treble | voices total |
| < 1849 | 1 - 14 | 1 - 14 | 56 (3 rows) |
| 1849 | 1 - 14 | 0 (a |
58 |
| 1851 | 0 ? | 60 | |
| 1854 - 58 | 15, 16, 17 ? | 15, 16, 17 ? | 72 |
| ? | 0/1, + | 0/1, + | 80 |
| 18 | (+), 1/2, 2/3 | 88 | |
| no date | 19, (18 removed?) | 18, 19, 20 | 96 |
| until 1860? | ? | ? | 100, 102, 104 |
Zimmermann's instrument from 1849 is also known as
Karlsfelder Konzertina.
| time | keys added to bass | keys added to treble | voices total |
| 1845 | 1 - 14 | 1- 14 | 56 (3 rows) |
| 0 | 0, 2/0 (Uhlig's 1/0), 3/0 | 64 | |
| 2/0, 3/0 | + | 70 | |
| 1/2, 2/3, 3/4, 4/0 | (+), 0/1, 1/2, 2/3, 3/4 | 88, 4 rows | |
| 1854 | + | 4/0, 5 |
100, 5 rows |
| 1856 | ? | ? | 110 |
| 1860 | 2/2, 3/3, 4/4, 0/0, (+), 15, *, 5/0, 16 | 5/0, (*), new row: 15, 16, 17, 18 | 126, (130) 6 rows |
Band's instrument was known as Bandonion (since 1856) and due to
his home town Krefeld / Rheinland the keyboard system as
rheinische Lage.
Band was registered as merchant in Krefeld and was not a constructor or manufacturer, he must have ordered his instruments from elsewhere, since in Krefeld there were no manufactures available. There are many indications about his source to be Carlsfeld. After the death of Band in 1860, Zimmermann sold his manufacture to Ernst Louis Arnold in 1864 and left to North America where his traces are lost.
created: August. 1997